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Fac-Simile di un Autografo di Antonio Vivaldi
Olga Rudge, editor
Alfredo Casella, contributor
Published Siena: Ticci Editore Libraio, [1947]
49pp.; 24.5 x 17.1 cm. Tan paper wraps printed in black and red.
14.5 x 10 cm when folded. Single strip of white paper printed in blue, folded in thirds.
Part of Contemporaries, III
A reproduction of a manuscript of a concerto of Vivaldi’s by the Accademia Musicale Chigiana in Siena, for whom Olga Rudge worked from 1933 until the late 50’s. The study, and discovery of Vivaldi’s music was central to Rudge’s work, and carries the greatest legacy. Rudge used her role as Secretary to procure microfilms of Vivaldi’s manuscripts held at various Italian (and in this case English) institutions. In 1938, Rudge founded the Centro di Studi Vivaldiani at the Academy, and in 1939 organised the first Settimana Musicale Senese, a festival dedicated entirely to the revival of Vivaldi’s music, much of which had not been performed since the 18th century. Rudge’s work continued post-war, here taking shape as part of the Quaderni, no. XIII. With further essays, two also translated into English, notices for upcoming concerts, bibliography, and so on. Reproduces a quote from Ezra Pound,
« Nell’arte di farsi odiare non conosco modo più efficace che il lodare quei momenti memorabili, quei trionfi eccezionali che non possono ripetersi. Tutti gli artisti o gli esecutori che non vi hanno partecipato, rimangono sdegnati, non potendoli utilizzare per la pubblicatà a loro proprio beneficio. »
(E. P. « Meridiano di Roma » 26-II-39)