Volume 4 in the The Ezra Pound Center for Literature Series, edited by John Gery. A selection of essays on a range of Modernist writers in their relation to China. First edition, an uncommon publication. A fine copy, the front cover slightly lifting.

Contents: Zhang Longxi, “Elective Affinities? On Wilde’s Reading of Zhuangzi”; Sabine Sielke, ‘“Orientalizing” Emily Dickinson and Marianne Moore—Complicating Modernism?’; Daniel Albright, “The Flute—East/West—in Modernist Music and Poetry”; Christine Froula, “Proust’s China”; Qiping Yin, “Chu Shi and Ru Shi: Robert Frost in Taoist Perspective”; Ira B. Nadel, “The Modernist Page: Joyce and the Graphic Design of Chinese Writing”; Fen Gao, “Virigina Woolf’s Truth and Zhenhuan in Chinese Poetics”; Christian Kloeckner, “Re-Orienting Impersonality: T. S. Eliot and the Self of the Far East”; Ronald Bush, ‘“Young Willows” in Pound’s Pisan Cantos: “Light as the Branch of Kuanon”’; Zhaoming Qian, “Mai-mai Sze, The Tao, and Late Moore”; Richard Parker, “Louis Zukofsky’s American Zen”; Tony Lopez, “The Orient in Later Modernist English Poetry.”